The scene illustrates the tense rivalry between two gangs: the Sharks, who are Puerto Rican, and the Jets, who are US-born. The Planes talk about the terms for the thunder that they will bring to the Sharks, discovering that a without weapon battle would be ideal, however that if the Sharks need switchblades, they’ll concur. Toward the beginning of Scene Two, Riff is attempting to persuade Tony to go to the hit the dance floor with him and challenge Bernardo.
Act I Summary.
How about getting full access immediately? Scene One starts with the Introduction, which is “half-moved, half-emulated with intermittent expressions of discourse” (1).
Scene One starts with the Introduction, which is “half-moved, half-emulated with intermittent expressions of discourse” (1).
As the Sharks and the Planes proceed with the move off, supporting their own posse individuals, Tony and Maria recognize each other from inverse sides of the room. Be that as it may, with those cops servin’ as spread, the PRs can move right un without us even noticing and remove it” (6).
Riff demands that Tony will come through, intending to challenge Bernardo at the party that is occurring that night at the exercise center.
Anita inclinations Bernardo to let Maria have a ton of fun, reminding him, “She-is-in-America-now” (38). [… ]. West Side Story Act I Summary & Analysis.
Scene Six opens at Doc’s drugstore. Since today around evening time is the genuine start of my life as a youngster of America! Tony and Maria approach each other at that point, “gradually as though in a fantasy” (24), they start to move.
Tony isn’t keen on participating in posse exercises, confessing to Riff, “Each and every damn night for the most recent month, I wake up and I’m connecting” (14).
He kisses her, and “the music blasts out, the lights erupt and Bernardo has arrived in a frigid wrath” (25). Riff starts to sing “When No doubt about it” (9), which affirms that a Stream is a Fly forever. The opening shots of West Side Story set the scene for the film, dropping the viewer down in New York City.
freebooksummary.com © 2016 - 2020 All Rights Reserved. Anita drives the ladies in the melody “America,” communicating their cynical inclination for life in the US over Puerto Rico. Furiously, Schrank reacts, “I got a hot shock for you: you gangsters don’t claim the road” (3). The Planes, drove by Riff, have guaranteed the domain in front of an audience. Despondent that Anita won’t bring down the neck area or color the dress red, Maria at long last gives it a shot and says thanks to Anita excitedly, flabbergasted at how excellent she looks. Riff attempts to grab Tony’s eye, as a stupefied Tony meanders away, rehashing Maria’s name and afterward singing, “The most lovely stable I at any point heard. When Krupke blows his whistle, the young men are totally quit confronting young ladies of the contrary group.
Riff cautions Bernardo that there is to be no savagery before at that point, and Bernardo spits back, “I comprehend the standards Local Kid” (28).
Doc enters, calling attention to that it is past check in time.
The Planes stand by anxiously for the Sharks to show up, fooling around.
This shows us that unlike many of the Jets, he has a good conscience. So also, the Sharks assemble around Bernardo. Maria enters with Chino, Bernardo, and Anita, eager to partake in her first move.
Tony claims, “There’s something due quickly, I will know immediately, soon as it appears” (16).
Starting with Riff and his young lady, Velma, who is “frightfully youthful, provocative, lost in a universe of jive” (22) and followed by Bernardo and Anita, the artists structure two circles as music starts.
Before they part, Maria advises Tony to go to the wedding shop where she works at dusk the following day. Bernado enters with Chino, “a bashful, delicate, sweet-confronted kid” (20). Bernardo and Anita enter with two Sharks, Indio and Pepe, and their sweethearts, Consuela and Rosalia.
The Planes, drove by Riff, have guaranteed the domain in front of an audience.
Baffled, Riff tells Tony, “Without a posse that is no joke” (14). [… ][W]hen the music stops, every kid hits the dance floor with whichever young lady is inverse” (22). Young ladies and young men from the two groups move on, “jitterbugging uncontrollably with their bodies yet their countenances, in spite of the fact that they are having fun, stay cool, nearly disconnected” (21). Riff and Bernardo choose to meet at Doc’s drugstore for a “War Board” (28).
Bernardo orders Chino to take a baffled Maria home.
Maria answers, “No; I saw just him” (26).
She guarantees that she “was a raving success in that battle” (6), asking Riff to give her access the posse. At that point Schrank orders, “Good, Bernardo, get your rubbish out of here” (3) and Bernardo, the pioneer of the Sharks, exits with his pack. Chino shows up, and they talk about Tony, who is viewed as American despite the fact that he is the offspring of workers, dissimilar to the Puerto Ricans who are viewed as outsiders.
Doc urges them to discover different approaches to challenge each other without viciousness, starting, “Why.
Riff leaves, and Tony sings “Something’s Coming,” a contemplative, quick paced tune catching the strain Tony communicates about the “something incredible” (16) that he can feel drawing nearer.
The Sharks, drove by Bernardo, enter and a fight breaks out.
The group proceeds with the melody, getting done with a guarantee to “beat each and every buggin’ pack all in all buggin’ road! ” (5) Child John includes, “My father says them Puerto Ricans is ruinin’ free ennaprise” (5).
Tony discovers Maria’s home, holding up until she shows up at the window behind the emergency exit.
After a strained second, Bernardo goes after Anita rather than the young lady he has arrived on, Riff grasps Velma’s hand, and the remainder of the children do likewise. No one has time to read them all, but it’s important to go over them at least briefly. The average student has to read dozens of books per year. Riff sends her on her way, at that point assembles the pack around him. The officials request harmony from the packs and leave. I don’t pause” (41). The scene shows the strained competition between two posses: the Sharks, who are Puerto Rican, and the Planes, who are US-conceived. The cops quickly accuse the Sharks, and Schrank remarks, “Kid, what you Puerto Ricans have done to this area” (2). Tony is painting a store sign as a shock for his chief, Doc, at the drugstore where he works.
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The dialogue implies that Tony left the Jets a long time ago, but is still in good relations with them.
Maria! Tony asks her, “You’re not believing I’m another person” (24), to which Maria answers, “I realize you are not” (24). Tony includes, “It resembles the kick I used to get from being a Stream” (14). The remainder of the participants “vanish into a dimness of the foundation as a sensitive cha starts” (24). They talk unobtrusively as Maria’s folks require her to return. As the foursome leaves, Maria tells Bernardo, “It is most significant that I make some superb memories at the moving this evening. Tony demands that he’s out, yet Riff reveals to him that he previously guaranteed the pack that Tony would be at the party, and Tony at long last consents to go. Each group wears their own hues, separating obviously who is a Shark and who is a Stream. The Jets, led by Riff, have claimed the territory onstage. The gathering discusses their first encounters of America. Bernardo answers, “Initial one, at that point the other” (41) and Anita answers, “I am an American young lady now. Bernardo protests to Chino that “Back home, ladies knew their place” (41) and Anita shoots back, “Back home, young men don’t have war gatherings” (41). Maria whines, “When I see Chino, nothing occurs” (18).
Sergeant Krupke joins Happy Hand, who declares, “We need you to make companions here, so we will have a couple get-together moves” (22). The couples move and whistle. Riff’s lieutenant is Tony, yet Activity contends that Tony is never near, and no longer has a place with the Planes. Tony shows up, and Riff embraces him quickly.
The scene shows the strained competition between two posses: the Sharks, who are Puerto Rican, and the Planes, who are US-conceived. Tony doesn’t have the foggiest idea what he’s going after, however that “it’s privilege outside the entryway, around the bend” (14). Riff intends to challenge Bernardo, yet Serious Deal, “a bespectacled, so called master” (1), advises him that he needs to bring a lieutenant. I’ve recently met a young lady named Maria, and unexpectedly that name will never be the equivalent to me” (29). Bernardo attempts to leave for the War Committee, yet Anita won’t go yet, requesting that he pick between the gathering and her.
Important Events We are also introduced to Tony's views on gang life.
There is a police whistle, and the packs quit battling as Sergeant Krupke and Lieutenant Schrank enter. Riff proclaims, “We contended energetically for this domain and it’s our own. The children oppose until Krupke ventures forward.
Tony advises her, “I believed, I knew something-at no other time would occur, needed to occur” (24). Child John, the most youthful individual from the Planes, sees that A-rab’s ear is dying, graciousness of Bernardo, as recompense for smell bombarding Bernardo’s dad’s store.
We see New York shot from high above; the streets, buildings, and bridges make tidy geometric shapes, and the cars are as small as insects, moving along in tidy rows. Schrank endeavors to persuade A-rab, one of the Planes, to distinguish the Shark who assaulted him, yet the Planes decline. Scene 1 begins with the Prologue, which is “half-danced, half-mimed with occasional phrases of dialogue” (1). Mambo music starts, signaling a move off as Bernardo and Anita challenge Riff and Velma. Maria asks Anita to make the neck area lower, and Anita cannot, having made a guarantee to Maria’s sibling, Bernardo. Luckily, FreeBookSummary offers study guides on over 1000 top books from students’ curricula! Child John illuminates Doc that the posse is there for a War Committee with the Sharks. Bernardo calls attention to that “Puerto-Rico-is-in-America-now!
He completes the melody, unobtrusively including, “possibly today… ” (17) Scene Three opens in a wedding shop, and Anita, “a Puerto Rican young lady with free hair and a somewhat showy ‘American’ dress” (17) is adjusting a white fellowship outfit into a gathering dress for Maria, “an energized, eager, devoted youngster blended in with the temper, difficult quality and consciousness of a lady” (17). The two group pioneers and their lieutenants approach the focal point of the move floor, yet Happy Hand, “a grinning, excessively merry youngster of around thirty” (21) intercedes. Tony murmurs to Maria, and she develops.
Important Events As the Riff recommends a “thunder” (6): one major battle to stifle the Sharks for the last time.
The Planes mock the officials, demanding that they do in actuality own the avenues.
Activity, the most hostile Fly, claims, “Them PRs’re the explanation my father’s gone belly up!
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